Zero Dark Thirty

I had not the slightest interest in seeing this movie and had it not been for its nomination, would have likely waited for its appearance on HBO months from now. I felt the same way about The Hurt Locker.  The next time Kathryn Bigelow directs a movie and I find myself saying, "-eh, I'm not so interested in seeing that." I'm going to write that sentence down on a piece of paper and literally eat my words on the way to the theater.

Before discussing what I liked, I think it's important to point out what was not in Zero Dark Thirty, because those elements are as essential to its compelling story line as what is included. Bigelow took my preconceived notions about what a movie focusing on this topic would be and turned it on its head. With the same brilliant, laser focus she used in The Hurt Locker, Bigelow is able to tell an amazing war story without talking about the war itself.

Justice versus revenge.

When the ends justify the means.

The blurred lines between right and wrong.

 

You'd be apt to think these are all themes that would, nay must, be explored in a movie about the search for, and ultimate death of, Bin Laden but you'd be wrong. Within minutes you find the political context of the war has been neatly swept away. Bigelow takes that large messy pie and carves you a simple, delicious slice.  No editorial commentary on the war itself exists in this movie. There is no support for, or condemnation of, either presidential administration the story spans. No judgments about the use of torture. There is no allusion to US and global energy policies that form the fabric of the dysfunctional relationships between nations involved. Bigelow frees you from context enough so that you can watch a suspenseful, investigative drama unfold without brining your own baggage along.

Jessica Chastain's, Maya, as the tireless investigator is so subtle and filled with quiet tension, that when the movie draws to its inevitable end you are still wondering if Bin Laden is really in the house even though you know that he is. THAT is tradecraft. You don't want him to be there for the chest-thumping, flag-waving xenophobic behavior so often exhibited, you want him there because you want her to be right.

Jason Clarke as Dan was, simply put, excellent. His character doesn't struggle with his actions, and he doesn't ask to be forgiven. He's at work, he's doing his job and Bigelow doesn't give you the opportunity to judge him, nor do you much  care to because by the time you figure out what he's up to, you're off and running with Maya.

While it's almost impossible to give a spoiler about this movie, I will say I was surprised and impressed how the search is undertaken. Maya is not looking for Bin Laden, she's looking for someone else and I think that is why this works. It's also very likely why the viewer is able to let go of whatever personal opinions they bring to the table and just sit back and enjoy the chase.

And on one last note, WHY is the sound of a helicopter so damn cool?